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一直(🕕)作為米路斯．科曼(màn )劇(jù )本(běn )(📼)鐵三角(jiǎo )（另一(🌰)位是(🕋)帕(😘)培(péi )錫，也是本片(piàn )(🤴)編劇之一）(🎹)成員的艾雲．巴薩(🏴)，當然也走(😧)低(🎾)度戲(xì )劇路線(xiàn )。同(tóng )是音(yīn )(🏇)樂家(📼)的彼德(🖲)與卡洛(luò )老友重逢，生(shēng )活狀況(kuàng )大(👁)不同，你有伴(🛹)侶我有(🚥)家庭(🕌)，然而(🎿)都有說不出的(✖)不明朗，唯有以酒(🕕)與音(😱)樂(lè )代替口水。全片推展不(🔩)問目的，只(zhī )在剎那間的意圖，行行企(qǐ )企比起科曼更(📙)義(🔝)無反顧(🏂)，卻有(🤸)生(shēng )活淡如(rú )流水的(de )詩(shī )意和(hé )繆(miù )思，叫觀眾聯想到二十年後的(💠)伊(yī )力．盧馬。巴薩(sà )鍾愛音樂的(⚾)程度(🌮)不下於文字和電影，古(🥊)典(🍑)音(👊)樂與民間音(yīn )樂於(🈸)全片迴(🐛)轉(🌹)迴盪，難怪成了(le )(🌪)奇斯洛夫斯基十大(dà )(😝)心(xīn )愛電影(💿)之一。 康(kāng )城影(📛)展青年(nián )評審(shěn )團獎，美國全國影(🏃)評(🔞)人協(🚲)會特別獎 這部1966年的珍品，是(🍁)捷(jié )克(kè )新浪潮短暫(zàn )生(shēng )命中最佳作品之一。成名音樂(lè )家到(dào )小(xiǎo )鎮(zhèn )探(🚤)訪舊同學，舊同學是個窮(👅)音樂教師，有時(💕)在喪禮上(🐱)吹奏樂(lè )曲。平(píng )凡的素材在巴(bā )素手裡(lǐ )，變出(📯)風趣復罕(hǎn )見的旋律，一(yī )部憂(yōu )鬱(⛎)的喜劇，或灰色喜(😼)劇。 (♟) (🔝) - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (✔)- Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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